The Skin Illustrator On Set Complexion Palette is a mini version of the classic full size Skin Illustrator Complexion Palette. It has become an industry standard. This compact, pocket size palette contains the full ten colors of the larger Flesh Tone palette, but also an additional Rice Paper and a Vein Tone for that extra bit of color needed to make touch ups fast and easy. This palette is a must for any makeup FX artist. Use it alone, or in combination with other On Set Palettes.
The colors can easily be applied with a brush or mascara wand (palette cells may be too small to apply color with a sponge). Use it alone, or mix the colors with any of the other Skin Illustrator tones to create your own unique blend of color.
You must use Skin Illustrator Activator, Skin Illustrator Slow Activator, or 99% alcohol to activate the color pigment. Do Not use 70% alcohol, MEK, acetone, water or any other solvent.
Removal is easy with PPI's Telesis Super Solv or Telesis Makeup Remover.
99.9% isopropyl alcohol also known as IPA. Used by make up artists with many SFX products and the activation of speciality palettes from Reels, Skin Illustrator, BluebirdFX & Stacolors, also...
Can be used to create various different stipple effects. From broken thread veins to stubble. Can be reused after cleaning.
Nick Dudman Washable Blood is requested by stage management, special effects, props, wigs and wardrobe departments and make-up effects artists as it is easily and safely removed from skin and...
Crepe hair is synthetic hair used for making beards and moustaches for stage and television. Comes in many natural shades and can be mixed for a more realistic appearance.