Blog

Our top 5 Vampire Designs

October 25, 2017

Our top 5 Vampire Designs

Top 5 Vampire Designs

Since the very birth of cinema, the varied and ambiguous folklore surrounding vampires has made them a makeup artist's dream; a chance to start with the slightest of briefs and get truly inventive. Primal and demonic? Feral and animalistic? Man-bat-wolf... thing? You do you. The world... vampire is your oyster.

So, in the wake of the attractive neck-nibblers that have saturated the screen in the past few years, we thought we'd take a moment to celebrate some of the most creative - and terrifying - vampire designs in history.

Bram Stokers Dracula

Bram Stoker's Dracula

Gary Oldman's Dracula is the Beyonce of the undead; just one fabulous look was never going to be enough. Oldman's frequent shape-shifting throughout Francis Ford Coppola's 1992 classic ranges in form from mythic vampirical forms; wizened old man, through suave Victorian gent, to giant bat-creature (with brief stints as a humanoid wolf and a heap of rats along the way).

Coppola shunned any kind of elaborate special effects or computer trickery when making the movie, instead relying on tried and tested practical effects, such as mirrors and miniatures, and makeups.

"Old man" Dracula proved the most labor-intensive to apply, taking four hours to glue and paint around ten individual foam pieces to Oldman's face and neck.  

The graft paid off in the end; not only did the makeups in the film look utterly convincing, they bagged artists Greg CannomMichèle Burke and Matthew W. Mungle an Academy Award for Best Makeup.

The Ancients - The Strain

Guillermo Del Toro's The Strain broke new in terms of vampire mythology when it first aired in 2014. An attempt to put a realistic, spin on an old tale, The Strain portrays vampirism as a virus, spread by VFX worms which enter and take over the body like a parasite, until the victim is suckling up the blood of strangers with a long, tentacle-like "stinger". (Gross.)

Doug Jones The Strain

At the top of the vampire table in The Strain sit The Ancients; the origins of the virus and all-round unpleasant creatures. Although much of the parasitic blood-slurping is done with CGI, The Ancients are brought to un-life with practical effects. Responsible for these were co-supervisors Steve Newburn and Sean Sansom. Newburn and Sansom also created a number of special props, and a range of sculpted pieces for use on set as stand-ins, as well as models of the creatures to be scanned and digitised for VFX purposes.

The Ancients sit somewhere between a vampire bat and an impossibly old man in a hot bath, The Ancient's mottled, wrinkled skin hangs gracelessly from lean, twitching muscles, portraying their age - but also their power. The pointed ears and lack of nose (created with the assistance of a green screen) not only invokes the image of a bat, but also a human skull.

Salems lot

 Salem's Lot

They say imitation is the sincerest form of flattery. That's certainly for old Nosferatu. An enduring and classic design, Count Orlok's severe, startling features have been referenced for almost a century.  The bald, buck-toothed vampire has become  template for artists and filmmakers looking to pay homage to the big screen's very first bloodsucker. Most recently seen in cupboard-dwelling Petyr from Taika Waititi's mockumentary comedy What We Do in the Shadows, the Nosferatu-style vampire was arguably given its most memorable airing in the 1979 mini-series Salem's Lot.

In Stephen King's novel, master vampire Kurt Barlow is a suavely-dressed, well-spoken Austrian gentleman, however when it came to filming the series, producer Richard Kobritz opted for more visceral, classic design.

"We went back to the old German Nosferatu concept where he is the essence of evil," Kobritz said of the design, "and not anything romantic or smarmy, or, you know, the rouge-cheeked, widow-peaked Dracula. I wanted nothing suave or sexual, because I just didn't think it'd work; we've seen too much of it."

The end result was a petrifying, feral being with unwieldy teeth and piercing eyes. Although it was a departure from King's original notion, a good artist understands what works on film and what doesn't. And anyone who still has doubts about the decision should go watch the 2004 version of Salem's Lot, in which Rutger Hauer's Barlow sports a soul patch. A. Soul. Patch.

30 Days of Night Vampire

30 Days of Night

The nightmarish creatures in 30 Days of Night were a breed that we haven’t seen again in the decade since its release; the scary vampire.

The past ten years have been a challenging one for the vampire's image. Teen romances, spoofs and a glutton of supernatural TV programmes have all but taken the bite out of vampires recently.

There were no neat little fangs here; instead these suckers bared a mouthful of misshapen, yellowed razorblades, made not for puncturing, but for tearing apart.  Paired with their smooth features and black eyes, the rows of cramped teeth gave these vamps a shark-like appearance, which fit perfectly with their ruthless, savage characters. Think Jaws. A big gang of Jaws. But on land. In the dark. *shudders*

Let The Right One In

Sometimes less is more, especially when you've got a creepy child-vampire to work with. Stark Swedish horror Let The Right One In went with a cinematographically bare tone that suited its location and the grim, yet credible nature of its story.

The design of its vampire, who appears as a young girl named Eli, equally cold and uncomplicated. We see no sharp teeth, no glowing eyes, no animalistic features; the absence of which makes for any of the few scenes in which Eli kills all the more visually striking.

No more effective is this contrast evident than when Eli crosses a threshold uninvited; blood begins to seep from her eyes, ears, and body. As crimson red blood bubbles through the surface of her skin and trickles down her face, we are afforded with one of the most arresting and unsettling visuals in the film. And not a glue-on fang in sight.





Also in The Makeup Armoury Blog

Behind the Makeup with... James Olney
Behind the Makeup with... James Olney

December 06, 2018

We first met James at this years IMATS convention. Browsing the IMATS Makeup Museum we came across the most adorable sculpture of a monkey in a space suit (Which you can check out on HERE), whilst admiring this sculpture we were approached by the artist himself. No points for guessing that it was James Olney, AKA Ripped from the Crypt. it didn't take long before we realised how talented, passionate and very sweet James was. 

We were lucky enough to host his very first demo at this years United Makeup Artist's Expo. James, although new to the makeup scene is humble and genuine, we expect big things. (no pressure James!) 

You can read all about the concept, design, construction and application of James's makeup below!

Continue Reading

On Set with... Craig Reardon
On Set with... Craig Reardon

November 22, 2018

Craig Reardon is very well known as the nice guy of makeup. I was honoured to have attended Craigs talk at IMATS this year and was blown away by the amount of amazing stories, knowledge and insight he had to give. 
Craig is one of the most passionate makeup artists I have ever met, he emits knowledge and an unflinching love for the industry, he is not only full of words of wisdom but is insanely humble and generous with his time.
Working on some of the biggest blockbusters and most influential practical effects films of all time including: Poltergeist, An American Werewolf in London, The Funhouse and The Incredible Shrinking Woman. He is truly one of a kind and it was privilege to be able to interview him. 
If you have any questions you would like to ask Craig, send em our way! 

Continue Reading

On Set With...Mimi Choi
On Set With...Mimi Choi

November 08, 2018

Mimi is a Vancouver-based professional makeup artist renowned for her unique artistic style.  A graduate of Blanche Macdonald Centre, her illusion based work has earned her worldwide recognition and many of her makeups have gone viral. From transforming her hand into realistic sushi to hyper realistic optical illusions with multiple eyes Mimi's attention to detail is mind blowing! Mimi was kind enough to take the time out of her busy teaching schedule to answer a few questions for us...

Continue Reading